List

This “detailed, fascinating” (Booklist, starred review) nonfiction middle grade book explores a deeply troubling chapter in American history that is still playing out today: the strange case of Prince Edward County, Virginia, the only place in the United States to ever formally deny its citizens a public education, and the students who pushed back. 

In 1954, after the passing of Brown v. the Board of Education, the all-White school board of one county in south central Virginia made the decision to close its public schools rather than integrate. Those schools stayed closed for five years.

While the affluent White population of Prince Edward County built a private school—for White children only—Black children and their families had to find other ways to learn. Some Black children were home schooled by unemployed Black teachers. Some traveled thousands of miles away to live with relatives, friends, or even strangers. Some didn’t go to school at all.

But many stood up and became young activists, fighting for one of the rights America claims belongs to all: the right to learn.

A fully illustrated middle-grade anthology celebrating Black women singers throughout history in a first-of-its-kind collection.

From jazz and blues, hip hop and R&B, pop, punk, and opera, Black women have made major contributions to the history and formation of musical genres for more than a century. In this fully illustrated middle grade anthology, 50 strong, empowering, and inspiring Black women singers' bios will teach kids to follow their dreams, to think outside the box, and to push the boundaries of what's expected. Written by music writer and journalist Jordannah Elizabeth and illustrated by Briana Dengoue, She Raised Her Voice! will inspire readers to find their voice and their own way of expressing themselves.

Chronicling the story of the last Africans brought illegally to America in 1860, African Town is a powerful and stunning novel-in-verse.
In 1860, long after the United States outlawed the importation of enslaved laborers, 110 men, women and children from Benin and Nigeria were captured and brought to Mobile, Alabama aboard a ship called Clotilda. Their journey includes the savage Middle Passage and being hidden in the swamplands along the Alabama River before being secretly parceled out to various plantations, where they made desperate attempts to maintain both their culture and also fit into the place of captivity to which they'd been delivered. At the end of the Civil War, the survivors created a community for themselves they called African Town, which still exists to this day. Told in 14 distinct voices, including that of the ship that brought them to the American shores and the founder of African Town, this powerfully affecting historical novel-in-verse recreates a pivotal moment in US and world history, the impacts of which we still feel today.

A heartfelt and funny graphic novel memoir from one of the first Black female cartoonists to be published in the New Yorker, when she was just 22 years old.

When Liz Montague was a senior in college, she wrote to the New Yorker, asking them why they didn't publish more inclusive comics. The New Yorker wrote back asking if she could recommend any. She responded: yes, me. 

Those initial cartoons in the New Yorker led to this memoir of Liz's youth, from the age of five through college--how she navigated life in her predominantly white New Jersey town, overcame severe dyslexia through art, and found the confidence to pursue her passion. Funny and poignant, Liz captures the age-old adolescent questions of “who am I?” and “what do I want to be?” with pitch-perfect clarity and insight. 

This brilliant, laugh-out-loud graphic memoir offers a fresh perspective on life and social issues and proves that you don’t need to be a dead white man to find success in art.

A Caldecott Honor winner!

Prepare yourself for something unlike anything: A smash-up of art and text for teens that viscerally captures what it is to be Black. In America. Right Now. Written by #1 New York Times bestselling and award-winning author Jason Reynolds.

Jason Reynolds and his best bud, Jason Griffin, had a mind-meld. And they decided to tackle it, in one fell swoop, in about ten sentences, and 300 pages of art, this piece, this contemplation-manifesto-fierce-vulnerable-gorgeous-terrifying-WhatIsWrongWithHumans-hope-filled-hopeful-searing-Eye-Poppingly-Illustrated-tender-heartbreaking-how-The-HECK-did-They-Come-UP-with-This project about oxygen. And all of the symbolism attached to that word, especially NOW.

And so for anyone who didn’t really know what it means to not be able to breathe, REALLY breathe, for generations, now you know. And those who already do, you’ll be nodding yep yep, that is exactly how it is.

*Instant New York Times Bestseller*

The Davenports delivers a totally escapist, swoon-worthy romance while offering a glimpse into a period of African American history often overlooked.

"The perfect read for fans of escapist historical fiction.” —NBC’s TODAY

The Davenports are one of the few Black families of immense wealth and status in a changing United States, their fortune made through the entrepreneurship of William Davenport, a formerly enslaved man who founded the Davenport Carriage Company years ago. Now it's 1910, and the Davenports live surrounded by servants, crystal chandeliers, and endless parties, finding their way and finding love—even where they’re not supposed to.

There is Olivia, the beautiful elder Davenport daughter, ready to do her duty by getting married . . . until she meets the charismatic civil rights leader Washington DeWight and sparks fly. The younger daughter, Helen, is more interested in fixing cars than falling in love—unless it’s with her sister’s suitor. Amy-Rose, the childhood friend turned maid to the Davenport sisters, dreams of opening her own business—and marrying the one man she could never be with, Olivia and Helen’s brother, John. But Olivia’s best friend, Ruby, also has her sights set on John Davenport, though she can’t seem to keep his interest . . . until family pressure has her scheming to win his heart, just as someone else wins hers.

Inspired by the real-life story of the Patterson family, The Davenports is the tale of four determined and passionate young Black women discovering the courage to steer their own path in life—and love.

"The Davenports has it all: romance, heartbreak, courage." —Ebony
"A fresh, utterly enchanting read.” —Ayana Gray, New York Times bestselling author of the Beasts of Prey trilogy
"Deftly written . . . A dazzling debut." —Kirkus (starred review)
"Stunningly wrought . . . Presents a cast of take-charge women." —PW (starred review)
"It has the compulsive readability of Gossip Girl." —Booklist (starred review)
"Compelling . . . distinct and satisfying." —BCCB
"Skilled . . . Well-written . . . Sure to please." —SLJ
"If this whole series existed right now, I’d tear through it to the exclusion of everything else in my life." —Teen Librarian Toolbox

In this young adult adaptation of the Oprah Book Club selection and New York Times bestselling nonfiction work, Pulitzer Prize–winning author Isabel Wilkerson explores the unspoken hierarchies that divide us across lines of race and class. Revealing and timely, this work will speak to young people who are engaged more than ever with the world around them, or to anyone who believes in a more just existence for all.

Readers will be fascinated by this young adult adaptation of the New York Times bestselling nonfiction work as they follow masterful narratives about real people that reveal an insidious phenomenon in the United States: a hidden caste system. Caste is not only about race or class; it is about power—which groups have it and which do not. Isabel Wilkerson explores historical social hierarchies, including those in India and Nazi Germany, and explains how perpetuating these rankings dehumanizes vast sections of society. Once we learn the reasons behind caste and see the often heartbreaking effects, Wilkerson says, we can bridge the divides and make way for an inclusive future where we are all equal.

The riveting story of how the Supreme Court turned a blind eye on justice, stripped away the equal rights promised to all Americans, and ushered in the era of Jim Crow.

On Easter Sunday of 1873, just eight years after the Civil War ended, a band of white supremacists marched into Grant Parish, Louisiana, and massacred over one hundred unarmed African Americans. The court case that followed reached the highest court in the land. Yet, following one of the most ghastly incidents of mass murder in American history, not one person was convicted.

The opinion issued by the Supreme Court in US v. Cruikshank set in motion a process that would help create a society in which black Americans were oppressed and denied basic human rights -- legally, according to the courts. These injustices paved the way for Jim Crow and would last for the next hundred years. Many continue to exist to this day.

In this compelling and thoroughly researched volume for young readers, Lawrence Goldstone traces the evolution of the law and the fascinating characters involved in the story of how the Supreme Court helped institutionalize racism in the American justice system.

This latest edition in Triangle Square's For Young People series is a gripping account of the summer that changed America.

In the summer of 1964, as the Civil Rights movement boiled over, the Student Nonviolent Coordinating Committee (SNCC) sent more than seven hundred college students to Mississippi to help black Americans already battling for democracy, their dignity and the right to vote. The campaign was called “Freedom Summer.” But on the evening after volunteers arrived, three young civil rights workers went missing, presumed victims of the Ku Klux Klan.  The disappearance focused America’s attention on Mississippi. In the days and weeks that followed, volunteers and local black activists faced intimidation, threats, and violence from white people who didn't believe African Americans should have the right to vote. As the summer unfolded, volunteers were arrested or beaten.  Black churches were burned.  More Americans came to Mississippi, including doctors, clergymen, and Martin Luther King. A few frightened volunteers went home, but the rest stayed on in Mississippi, teaching in Freedom Schools, registering voters, and living with black people as equals.  Freedom Summer brought out the best and the worst in America. The story told within these pages is of everyday people fighting for freedom, a fight that continues today. Freedom Summer for Young People is a riveting account of a decisive moment in American history, sure to move and inspire readers.

This young adult adaptation of the New York Times bestselling White Rage is essential antiracist reading for teens.

An NAACP Image Award finalist
A Kirkus Reviews Best Book of the Year
A NYPL Best Book for Teens

History texts often teach that the United States has made a straight line of progress toward Black equality. The reality is more complex: milestones like the end of slavery, school integration, and equal voting rights have all been met with racist legal and political maneuverings meant to limit that progress. We Are Not Yet Equal examines five of these moments: The end of the Civil War and Reconstruction was greeted with Jim Crow laws; the promise of new opportunities in the North during the Great Migration was limited when blacks were physically blocked from moving away from the South; the Supreme Court's landmark 1954 Brown v. Board of Education decision was met with the shutting down of public schools throughout the South; the Civil Rights Act of 1964 and Voting Rights Act of 1965 led to laws that disenfranchised millions of African American voters and a War on Drugs that disproportionally targeted blacks; and the election of President Obama led to an outburst of violence including the death of Black teen Michael Brown in Ferguson, Missouri as well as the election of Donald Trump.

Including photographs and archival imagery and extra context, backmatter, and resources specifically for teens, this book provides essential history to help work for an equal future.

*"A powerful, necessary book." SLJ, starred review

A powerful, impactful, eye-opening journey that explores through the Civil Rights Movement in 1950s-1960s America in spare and evocative verse, with historical photos interspersed throughout.

In stunning verse and vivid use of white space, Erica Martin's debut poetry collection walks readers through the Civil Rights Movement—from the well-documented events that shaped the nation’s treatment of Black people, beginning with the "Separate but Equal" ruling—and introduces lesser-known figures and moments that were just as crucial to the Movement and our nation's centuries-long fight for justice and equality.

A poignant, powerful, all-too-timely collection that is both a vital history lesson and much-needed conversation starter in our modern world. Complete with historical photographs, author's note, chronology of events, research, and sources.

Praise for And We Rise:

*"This powerful collection of poems serves not only as a history lesson but also a conversation starter about the civil rights movement and other events that have impacted the treatment of Black Americans throughout history." -- SLC (starred review)

"A strong, historically accurate collection that can enhance any social studies or language arts unit. More important, audiences will appreciate these poems that leap off the pages, bringing history, pain, dignity, and fierce determination to life." --Booklist

A piercing, unforgettable love story set in Greenwood, Oklahoma, also known as the “Black Wall Street,” and against the Tulsa Race Massacre of 1921. 

Isaiah Wilson is, on the surface, a town troublemaker, but is hiding that he is an avid reader and secret poet, never leaving home without his journal. Angel Hill is a loner, mostly disregarded by her peers as a goody-goody. Her father is dying, and her family’s financial situation is in turmoil.

Though they’ve attended the same schools, Isaiah never noticed Angel as anything but a dorky, Bible toting church girl. Then their English teacher offers them a job on her mobile library, a three-wheel, two-seater bike. Angel can’t turn down the money and Isaiah is soon eager to be in such close quarters with Angel every afternoon.

But life changes on May 31, 1921 when a vicious white mob storms the Black community of Greenwood, leaving the town destroyed and thousands of residents displaced. Only then, Isaiah, Angel, and their peers realize who their real enemies are.

YALSA TOP 10 GREAT GRAPHIC NOVELS FOR TEENS

Mississippi, 1930s. Magic simmering beneath the surface, kept in check by unjust laws and societal expectations. But for six extraordinary women, the roar of enchanted engines and the thrill of the forbidden broom race offer a chance to rewrite their destinies.
Meet Billie Mae, captain of the Night Storms racing team, and Loretta, her best friend and second-in-command. They''re determined to make enough money to move out west to a state that allows Black folks to legally use magic and take part in national races.
Cheng-Kwan - doing her best to handle the delicate and dangerous double act of being the perfect "son" to her parents, and being true to herself while racing.
Mattie and Emma -- Choctaw and Black -- the youngest of the group and trying to dodge government officials who want to send them and their newly-surfaced powers away to boarding school.
And Luella, in love with Billie Mae. Her powers were sealed away years ago after she fought back against the government. She''ll do anything to prevent the same fate for her cousins.
"Brooms" is a heart-pounding graphic novel soaring with magic, friendship, and rebellion. It''s a Fast and the Furious with broomsticks instead of cars, a historical spotlight on struggles silenced by time, and a celebration of the indomitable spirit that dares to defy the odds. Buckle up, witches and dreamers, for this ride is about to take flight.


P R A I S E

★ "Draws on the fantastical to amplify and confront issues of both the past and the present. The result is a heartfelt, gripping, and resonant story about power--how the majority wields it, and how marginalized groups reclaim it."

--Bulletin of the Center for Children''s Books (starred)

★ "Fascinating... Though readers will enjoy the dramatic racing scenes, this is truly a story about queer folk and people of color who have created a space where they can joyously and freely be themselves."

--Booklist (starred)

★ "Pulse-pounding broom races and comforting domestic sequences... An evocative Fast and the Furious-flavored graphic novel."

--Publishers Weekly (starred) 

"This is the queer, magical, broom-racing version of A League of Their Own that I didn''t know I was missing... The representation in this graphic novel is so diverse and among the best I think I''ve ever seen. It''s clear that Walls and Duvall put equal parts passion and research into this beautiful story. If you don''t read it, you''re missing out."

--Rachel Brittain, Book Riot

"A sweet, entertaining found-family story that weaves magic with historical injustice; recommended for teen graphic novel shelves.

--School Library Journal 

"Six witches get caught up in the excitement and danger of illegal broom racing in an alternate historical Mississippi... highlights the broadly diverse experiences of folks in the South... highlighting the fact that there has always been and will always be room for queer folks in our communities."

--Kirkus 

"[A] mix of exciting racing scenes, a story about overcoming the odds, and mesmerizing depictions of magic, plus some of the not-so-pretty parts of our country''s history, and it''s done in a way that is compassionate and uplifting."

--GeekDad

"Brooms Is Your Next Favorite Fantastical LGBTQIA+ Sports Story"

--The Mary Sue

"Brings vivid characters (queer, broom-racing witches) to life in an equally vivid setting."

--Gizmodo (io9)

A 2022 National Book Award for Young People's Literature Finalist

“Phenomenal . . . Timely and timeless, a must-read not just for sports fans but for everyone.” New York Times Book Review

On October 16, 1968, during the medal ceremony at the Mexico City Olympics, Tommie Smith, the gold medal winner in the 200-meter sprint, and John Carlos, the bronze medal winner, stood on the podium in black socks and raised their black-gloved fists to protest racial injustice inflicted upon African Americans. Both men were forced to leave the Olympics, received death threats, and faced ostracism and continuing economic hardships.

In his first-ever memoir for young readers, Tommie Smith looks back on his childhood growing up in rural Texas through to his stellar athletic career, culminating in his historic victory and Olympic podium protest. Cowritten with Newbery Honor and Coretta Scott King Author Honor recipient Derrick Barnes and illustrated with bold and muscular artwork from Emmy Award–winning illustrator Dawud Anyabwile, Victory. Stand! paints a stirring portrait of an iconic moment in Olympic history that still resonates today.

"An absolute must read." —Buzzfeed

"A gripping portrayal of the South's inherent racism and a love story for queer Black girls." —Teen Vogue

Family secrets, a swoon-worthy romance, and a slow-burn mystery collide in We Deserve Monuments, the award-winning debut novel from Jas Hammonds exploring the ways racial violence can ripple down through generations. 

What’s more important: Knowing the truth or keeping the peace?

Seventeen-year-old Avery Anderson is convinced her senior year is ruined when she's uprooted from her life in DC and forced into the hostile home of her terminally ill grandmother, Mama Letty. The tension between Avery’s mom and Mama Letty makes for a frosty arrival and unearths past drama they refuse to talk about. Every time Avery tries to look deeper, she’s turned away, leaving her desperate to learn the secrets that split her family in two.

While tempers flare in her avoidant family, Avery finds friendship in unexpected places: in Simone Cole, her captivating next-door neighbor, and Jade Oliver, daughter of the town’s most prominent family—whose mother’s murder remains unsolved.

As the three girls grow closer—Avery and Simone’s friendship blossoming into romance—the sharp-edged opinions of their small southern town begin to hint at something insidious underneath. The racist history of Bardell, Georgia is rooted in Avery’s family in ways she can’t even imagine. With Mama Letty's health dwindling every day, Avery must decide if digging for the truth is worth toppling the delicate relationships she's built in Bardell—or if some things are better left buried.