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Delightful food and drink recipes inspired by Netflix's hit show Bridgerton and Julia Quinn's bestselling novels. Finger sandwiches, pastries, roasts, desserts, cocktails, and more!

A funny, raucous, and delightfully dirty history of 1,000 years of bedroom-hopping secrets and scandals of Britain?s royals.

Insatiable kings, lecherous queens, kissing cousins, and wanton consorts?history has never been so much fun.

Royal unions have always been the stuff of scintillating gossip, from the passionate Plantagenets to Henry VIII?s alarming head count of wives and mistresses, to the Sapphic crushes of Mary and Anne Stuart right on up through the scandal-blighted coupling of Prince Charles and Princess Diana. Thrown into loveless, arranged marriages for political and economic gain, many royals were driven to indulge their pleasures outside the marital bed, engaging in delicious flirtations, lurid love letters, and rampant sex with voluptuous and willing partners.

This nearly pathological lust made for some of the most titillating scandals in Great Britain?s history. Hardly harmless, these affairs have disrupted dynastic alliances, endangered lives, and most of all, fed the salacious curiosity of the public for centuries. Royal Affairs will satiate that curiosity by bringing this arousing history alive.
 

“Not Just Jane restores seven of England’s most fascinating and subversive literary voices to their rightful places in history. Shelley DeWees tells each woman writer’s story with wit, passion, and an astute understanding of the society in which she lived and wrote.”

—Dr. Amanda Foreman, New York Times bestselling author of Georgiana: Duchess of Devonshire

Jane Austen and the Brontës endure as British literature’s leading ladies (and for good reason)—but were these reclusive parsons’ daughters really the only writing women of their day? A feminist history of literary Britain, this witty, fascinating nonfiction debut explores the extraordinary lives and work of seven long-forgotten authoresses, and asks: Why did their considerable fame and influence, and a vibrant culture of female creativity, fade away? And what are we missing because of it?

You’ve likely read at least one Jane Austen novel (or at least seen a film one). Chances are you’ve also read Jane Eyre; if you were an exceptionally moody teenager, you might have even read Wuthering Heights. English majors might add George Eliot or Virginia Woolf to this list…but then the trail ends. Were there truly so few women writing anything of note during late 18th and 19th century Britain?

In Not Just Jane, Shelley DeWees weaves history, biography, and critical analysis into a rip-roaring narrative of the nation’s fabulous, yet mostly forgotten, female literary heritage. As the country, and women’s roles within it, evolved, so did the publishing industry, driving legions of ladies to pick up their pens and hit the parchment. Focusing on the creative contributions and personal stories of seven astonishing women, among them pioneers of detective fiction and the modern fantasy novel, DeWees assembles a riveting, intimate, and ruthlessly unromanticized portrait of female life—and the literary landscape—during this era. In doing so, she comes closer to understanding how a society could forget so many of these women, who all enjoyed success, critical acclaim, and a fair amount of notoriety during their time, and realizes why, now more than ever, it’s vital that we remember.

Rediscover Charlotte Turner Smith, Helen Maria Williams, Mary Robinson, Catherine Crowe, Sara Coleridge, Dinah Mulock Craik, and Mary Elizabeth Braddon.

From acclaimed biographer Flora Fraser, a brilliant group biography of the six daughters of “Mad” King George III. Fraser takes us into the heart of the British royal family during the tumultuous period of the American and French revolutions and beyond, illuminating the complicated lives of these exceptional women: Princess Royal, the eldest, constantly at odds with her mother; home-loving, family-minded Augusta; plump Elizabeth, a gifted amateur artist; Mary, the bland beauty of the family; Sophia, emotional and prone to take refuge in illness; and Amelia, “the most turbulent and tempestuous of all the Princesses.” Weaving together letters and historical accounts, Fraser re-creates their world in all its frustrations and excitements. The six sisters, though handsome, accomplished and extremely well educated, were kept from marrying by George III, and Fraser describes how they remained subject to their father for many years, while he teetered on the brink of mental collapse. The King may have believed that his six daughters were happy to live celibately at Windsor, but secretly, as Fraser’s absorbing narrative of royal repression and sexual license shows, the sisters enjoyed startling freedom. Several of them, torn between love for their ailing father and longing for independence, forged their own scandalous and subversive lives within the castle walls. With a discerning eye for psychological detail and a keen feminist sensibility, Fraser delves into these clandestine love affairs, revealing the truth about Sophia’s illegitimate baby; examining Amelia's intimate correspondence with her soldier-lover; and investigating the eventual marriages of Princesses Royal, Elizabeth and Mary. Never before has the historical searchlight been turned with such sympathy and acuity on George III and his family. With unparalleled access to royal and private family papers, Flora Fraser has created a revelatory portrait of six fascinating women and their place in history. From the Hardcover edition.

The real-life inspiration and setting for the Emmy Award-winning Downton Abbey, Lady Almina and the Real Downton Abbey tells the story behind Highclere Castle and the life of one of its most famous inhabitants, Lady Almina, the 5th Countess of Carnarvon.

Drawing on a rich store of materials from the archives of Highclere Castle, including diaries, letters, and photographs, the current Lady Carnarvon has written a transporting story of this fabled home on the brink of war. Much like her Masterpiece Classic counterpart, Lady Cora Crawley, Lady Almina was the daughter of a wealthy industrialist, Alfred de Rothschild, who married his daughter off at a young age, her dowry serving as the crucial link in the effort to preserve the Earl of Carnarvon's ancestral home. Throwing open the doors of Highclere Castle to tend to the wounded of World War I, Lady Almina distinguished herself as a brave and remarkable woman.

This rich tale contrasts the splendor of Edwardian life in a great house against the backdrop of the First World War and offers an inspiring and revealing picture of the woman at the center of the history of Highclere Castle.

Jane Austen's beloved comedic novel is now available in a revised and updated Norton Critical Edition.

The text of this Norton Critical Edition of Emma is based on the 1816 edition published by John Murray. George Justice has lightly and judiciously emended the text for faithfulness and clarity. The novel is accompanied by detailed explanatory annotations as well as facsimiles of the 1816 title and dedication pages.

"Backgrounds" collects a wealth of source material, much of it new to the Fourth Edition. New material includes Austen's correspondence with her publisher about the business of writing, which reveals Austen's view of her own writing and career. In addition, there are two sets of verses referenced in Emma, "Kitty, A Fair But Frozen Maid" and "Robin Adair", as well as responses (1815-1950) to Austen and her writing from, among others, Charlotte Brontd, Juliet Pollock, Virginia Woolf, D.W. Harding, and Edmund Wilson.

"Reviews and Criticism" includes twelve major interpretations of the novel, nine of them new to the Fourth Edition. New contributors include Jan Fergus, Patricia Meyer Spacks, Tony Tanner, Maaja Stewart, D.A. Miller, Emily Auerbach, Gabrielle D. V. White, Richard Jenykns, and David Monaghan.

A Chronology and Selected Bibliography are also included.

To W. S. Williams, December 11, 1847 -- To W. S. Williams, August 14, 1848 -- To W. S. Williams, early September 1848 -- The Christian Remembrancer and The quarterly -- From The Christian Remembrancer, January 1848 -- The quarterly review, December 1848 / Elizabeth Rigby -- To W. S. Williams, January 2, 1849 -- To W. S. Williams, February 10[?], 1849 -- To W. S. Williams, August 16, 1849 -- From A word to The quarterly -- Charlotte Bronte and the critics, Charlotte Bronte: author and woman, First impressions of Charlotte Bronte, Charlotte Bronte at home, Charlotte Bronte's working habits / Elizabeth Gaskell -- Jane Eyre: The temptations of a motherless woman / Adrienne Rich -- A dialogue of self and soul: plain Jane's progress / Sandra M. Gilbert -- St. John's way and the wayward reader / Jerome Beaty -- Jane Eyre: hazarding confidences / Lisa Sternlieb -- The cinematic reconstitution of Jane Eyre / Jeffrey Sconce -- The pleasure of intertextuality: reading Jane Eyre television and film adaptations / Donna Marie Nudd.

The world of novelist Jane Austen was a place of unsurpassed elegance, beauty, and refinement. This book documents Jane Austen's world: Stoneleigh Abbey, quaint country retreats and stylish town houses. A Buyer's Directory, for those who want to recreate this era in their own homes is included.

Jane Austen's Guide to Good Manners is a light-hearted, insightful handbook written as if intended for her original Regency Era readers, and illustrated throughout with beautiful watercolors. When Anna, Jane Austen's young niece, sent her a novel for ""literary comment," Jane loved everything about it, except its utter disregard for the manners of the day. The resulting and tender correspondence between the two serves as the foundation for this instructional book.

Etiquette and social behavior of the early 1800s come to life in lovely chapters teaching one on how to pay and return formal "calls," how to properly refuse a proposal of marriage, who should lead off the dancing at a country-house ball, and what to wear for a morning walk. Jane Austen used these daily customs and niceties to brilliantly illuminate the cloistered world of high society women in her timeless novels. Now with this delightful handbook of correct social behavior, readers will learn just why Mrs. Bennet of Pride and Prejudice couldn't call alone on her new, rich, bachelor neighbor and had to force the reluctant Mr. Bennet to do so...even as he uttered "Tis an etiquette I despise."

An indispensable gift for any Austen fan, this beautiful book will prove irresistible to anyone wishing to go back in time to the atmosphere of their favorite Austen novels.

Henrietta Webb is the co-creator of Bad Hair. Josephine Ross has written a number of books including, most recently, Jane Austen: A Companion, published in England by Austen's original publisher John Murray.

Here, firmly rooted in her own social setting for the first time, is the real Jane Austen--the shy woman willing to challenge convention, the woman of no pretensions who nevertheless called herself "formidable," a woman who could be frivolous and yet suffer from black depressions, who showed unfailing loyalty and, in the conduct of her own life, unfailing bravery. In an act of understanding and brilliant synthesis, Claire Tomalin reveals Jane Austen with a clarity never before achieved, one which makes us look upon her novels with fresh and even greater admiration.
The world she wrote about--that place of civility and reassuring stability--was never quite her own. As Tomalin shows, Jane Austen's family existed on the very fringe of the world she described in her fiction, struggling to get ahead with little money and no land in the competitive society of Georgian England, sometimes succeeding but often failing with painful consequences. New research in family papers has yielded a rich, tragicomic picture of the Austen clan--their ambitions, their matrimonial alliances, their exotic connections with India and France. At the same time, Tomalin's explorations in local archives reveal a surprising view of the neighbors the family lived among in Hampshire, more extravagant and eccentric by far than anyone depicted in Austen's books. We realize how much closer her genius lies, in its splendid artifice, to the great comic operas of Mozart than to the main tradition of the English novel.
But it is in the deeply human portrait of Jane Austen herself that this biography excels. The honesty and directness of her personality (perfect heroines made her "sick and wicked"), her strength ingiving up a chance at marriage to follow the path her vocation as a writer required her to take, the warmth and long consistency of her relationship with her sister, Cassandra, the poignancy of her death--Claire Tomalin here captures, with unforgettable skill, the living character of a great writer who is read, reread, read again, and adored, now more than ever.

Coming to PBS Masterpiece Classic soon! Gorgeous, profound, delightful, useful, original, this fully illustrated, informative volume combines Jane Austen's Sanditon novel and Janet Todd's ground-breaking essay.

"I so enjoyed Janet Todd's beautifully produced book." Andrew Davies, screenwriter.

Sanditon is Jane Austen's last novel, left unfinished when she died. A comedy, it continues the strain of burlesque and caricature she wrote as a teenager and in private throughout her life. This beautifully illustrated volume combines the full novel and Todd's ground-breaking essay, where she contextualizes Austen's life and work, Sanditon's connection with Northanger Abbey (1818) and the Austen family's speculation in England and the West Indies. She examines the moral and social problems of capitalism, entrepreneurship, and whether wealth trickles down to benefit the place it is made. In explaining the early nineteenth-century culture of self: the exploitation of hypochondria, health fads, seaside resorts, cures, she contends that Sanditon is an innovative, ebullient study of human beings' vagaries - rather than using common sense, Sanditon's characters follow intuition and bodily signs believing that desire can be translated into physical facts and speech can transform fantasy into reality. Todd shows Austen's themes to be akin to contemporary concerns: the mistakes of the self-deluded reveal the inevitable, ridiculous gap between how we think of ourselves and how we appear and sound to others.

Jane Austen was as skillful with a needle as she was with a pen, and this unique book showcases rare and beautiful embroidery patterns from her era, repurposed into 15 modern sewing projects. Derived from Lady's Magazine (1770–1832), a popular monthly periodical of fashion, fiction, and gossip, the projects consist of embroidered clothes, accessories, and housewares. Designs include an evening bag, a muslin shawl, an apron, a floral napkin set and tablecloth, and other pretty and practical items with timeless appeal.
These authentic patterns — many of which have not been reprinted in more than 200 years—are enlivened by vivid glimpses into the world of Regency women and their domestic lives. Fascinating historical features, quotes from Austen's letters and novels, enchanting drawings, clear instructions, and inspirational project photography trace the patterns' origins and illustrate their imaginative restoration for modern use. A must-have for every Jane Austen fan, this book is suitable for needleworkers at every level of experience.

The definitive guide for all fans of Georgette Heyer, Jane Austen, and the glittering Regency period

"Detailed, informative, impressively researched. A Heyer lover writing for Heyer fans."
-Times Literary Supplement

Immerse yourself in the resplendent glow of Regency England and the world of Georgette Heyer...

From the fascinating slang, the elegant fashions, the precise ways the bon tonate, drank, danced, and flirted, to the shocking real life scandals of the day,Georgette Heyer's Regency World takes you behind the scenes of Heyer's captivating novels.

As much fun to read as Heyer's own novels, beautifully illustrated, and meticulously researched, Jennifer Kloester's essential guide brings the world of the Regency to life for Heyer fans and Jane Austen fans alike.

"An invaluable guide to the world of the bon ton. No lover of Georgette Heyer's novels should be without it."
-- Katie Fforde

"Splendidly entertaining"
-Publishers Weekly

"Meticulously researched yet splendidly entertaining, Kloester's comprehensive guide to the world of upper-class regency England is a must-have."
-Publishers Weekly Starred Review

The groundbreaking biography of one of the world's best-loved and bestselling authors

Who was the real Georgette Heyer?

Georgette Heyer famously said, "I am to be found in my work."

Who was this amazing writer who was so secretive about her personal life that she never gave an interview? Where did she get her ideas? Were there real-life models forher ultra-manly heroes, independent-minded heroines, irascible guardians, and clever villains? What motivated her to build a Regency worldso intricately researched that readers want to escape there again and again?

Heyer's Regency romances, historical novels, and mysteries have surprised and delighted millions of readers for decades, while the woman behind the storieshas stayed hidden...Until now!

With unprecedented, exclusive access to Heyer's notebooks, papers, and early letters, Jennifer Kloester uncovers both the complex life of a private woman anda masterful writer's craft that will forever resonate in literature and beyond.

"A wonderful entertaining biography--a readable and lively account of this beloved writer."--Eloisa James, #1 New York Timesbestselling author

"Required reading for all lovers of Regency novels."--Mary Jo Putney, New York Times bestselling author of No Longer a Gentleman

"A superb portrayal of one of my all-time favorite writers."--Anne Gracie, award-winning author of Bride By Mistake

"An engaging, intriguing, absorbing, read!"--Stephanie Laurens, #1 New York Timesbestselling author

Praise for Georgette Heyer's Regency World:

"Meticulously researched yet splendidly entertaining ... a must-have."--Publishers WeeklyStarred Review
"Detailed, informative, impressively researched. A Heyer lover writing for Heyer fans."--Times Literary Supplement
"Kloester's lively book will delight died-in-the-wool Regency readers." --Booklist

From acclaimed biographer Paula Byrne, the sensational true tale that inspired the major motion picture Belle (May 2014) starring Tom Wilkinson, Miranda Richardson, Emily Watson, Penelope Wilton, and Matthew Goode—a stunning story of the first mixed-race girl introduced to high society England and raised as a lady.  

The illegitimate daughter of a captain in the Royal Navy and an enslaved African woman, Dido Belle was sent to live with her great-uncle, the Earl of Mansfield, one of the most powerful men of the time and a leading opponent of slavery. Growing up in his lavish estate, Dido was raised as a sister and companion to her white cousin, Elizabeth. When a joint portrait of the girls, commissioned by Mansfield, was unveiled, eighteenth-century England was shocked to see a black woman and white woman depicted as equals. Inspired by the painting, Belle vividly brings to life this extraordinary woman caught between two worlds, and illuminates the great civil rights question of her age: the fight to end slavery.

Belle includes 20 pages of black-and-white photos.

Spanning 500 years of British history, a revealing look at the secret lives of some great (and not-so-great) Britons, courtesy of one of the world’s most engaging royal historians
 
Beleaguered by scandal, betrayed by faithless spouses, bedeviled by ambitious children, the kings and queens of Great Britain have been many things, but they have never been dull. Some sacrificed everything for love, while others met a cruel fate at the edge of an axman’s blade. From the truth behind the supposed madness of King George to Queen Victoria’s surprisingly daring taste in sculpture, Behind the Palace Doors ventures beyond the rumors to tell the unvarnished history of Britain’s monarchs, highlighting the unique mix of tragedy, comedy, romance, heroism, and incompetence that has made the British throne a seat of such unparalleled fascination.
 
Featuring:
• stories covering every monarch, from randy Henry VIII to reserved Elizabeth II
• historical myths debunked and surprising “Did you know . . . ?” anecdotes
• four family trees spanning every royal house, from the Tudors to the Windsors

Tour the homes and settings of Jane Austen, one of the most widely read and beloved authors in English literature, in this beautiful book featuring over 100 color photographs and illustrations.

"I shall be very glad to see you at home again, and then...who will be so happy as we?" -- Jane Austen

From her youth in a country rectory in Steventon, a small village in Hampshire, England--where she wrote her first stories for her friends, Volume the First, Volume the Second, and Volume the Third--to the fashionable spa town of Bath, to the seaport of Southampton, to her final years in her last settled home at peaceful Chawton Cottage, where she penned her most famous novel, Pride and Prejudice, Jane Austen's life was hardly that of a shut in. A regular visitor to London, to the seashore for holidays, and to the estates of friends and relatives, Jane carried her own notion of home with her wherever she went and drew inspiration for her brilliantly witty novels from every new experience. She wrote most everywhere she traveled, accompanied by her portable writing desk.

With gorgeous photography and illustrations, At Home with Jane Austen explores Austen's world, her physical surroundings, and the journeys the popular author took during her lifetime. Author Kim Wilson ties Austen's novels to places where she lived, visited, and even attended school, ending with her final months in temporary lodgings in Winchester, England. Jane Austen's enduring legacy is the final chapter of this beautiful and eye-opening book.

From the editor of the popular Annotated Pride and Prejudice comes an annotated edition of Jane Austen's Northanger Abbey that makes her lighthearted satire of the gothic novel an even more satisfying read. Here is the complete text of the novel with more than 1,200 annotations on facing pages, including:

-Explanations of historical context
-Citations from Austen's life, letters, and other writings
-Definitions and clarifications
-Literary comments and analysis
-Maps of places in the novel
-An introduction, bibliography, and detailed chronology of events
-225 informative illustrations

Filled with fascinating details about the characters' clothing, furniture, and carriages, and illuminating background information on everything from the vogue for all things medieval to the opportunities for socializing in the popular resort town of Bath, David M. Shapard's Annotated Northanger Abbey brings Austen's world into richer focus.

From the editor of the popular Annotated Pride and Prejudice comes an annotated edition of Jane Austen's Mansfield Park that makes her story of an impoverished girl living with her wealthy relatives an even more satisfying read. Here is the complete text of Austen's own favorite novel with more than 2,300 annotations on facing pages, including:

● Explanations of historical context
● Citations from Austen's life, letters, and other writings
● Definitions and clarifications
● Literary comments and analysis
● Maps of places in the novel
● An introduction, bibliography, and detailed chronology of events
● More than 225 informative illustrations

Filled with fascinating details about the characters' clothes, houses, and carriages, as well as background information on such relevant issues as career paths in the British navy, contemporary attitudes toward slavery, and the legal and social consequences of adultery, David M. Shapard's Annotated Mansfield Park brings Austen's world into richer focus.

Sister to Queen Anne Boleyn, she was seduced by two kings and was an intimate player in one of history's most gripping dramas. Yet much of what we know about Mary Boleyn has been fostered through garbled gossip, romantic fiction, and the misconceptions repeated by historians. Now, in her latest book, New York Times bestselling author and noted British historian Alison Weir gives us the first ever full-scale, in-depth biography of Henry VIII's famous mistress, in which Weir explodes much of the mythology that surrounds Mary Boleyn and uncovers the truth about one of the most misunderstood figures of the Tudor age.

With the same brand of extensive forensic research she brought to her acclaimed book The Lady in the Tower, Weir facilitates here a new portrayal of her subjects, revealing how Mary was treated by her ambitious family and the likely nature of the relationship between the Boleyn sisters. She also posits new evidence regarding the reputation of Mary's mother, Elizabeth Howard, who was rumored to have been an early mistress of Henry VIII.

Weir unravels the truth about Mary's much-vaunted notoriety at the French court and her relations with King François I. She offers plausible theories as to what happened to Mary during the undocumented years of her life, and shows that, far from marrying an insignificant and complacent nonentity, she made a brilliant match with a young man who was the King's cousin and a rising star at court.

Weir also explores Mary's own position and role at the English court, and how she became Henry VIII's mistress. She tracks the probable course of their affair and investigates Mary's real reputation. With new and compelling evidence, Weir presents the most conclusive answer to date on the paternity of Mary's children, long speculated to have been Henry VIII's progeny.

Alison Weir has drawn fascinating information from the original sources of the period to piece together a life steeped in mystery and misfortune, debunking centuries-old myths and disproving accepted assertions, to give us the truth about Mary Boleyn, the so-called great and infamous whore.

Lady Catherine, the Earl, and the Real Downton Abbey tells the story behind Highclere Castle, the setting for Julian Fellowes's Emmy Award-winning PBS show Downton Abbey, and the life of one of its most famous inhabitants, Catherine Wendell.  In this transporting companion piece to the New York Times bestseller Lady Almina and the Real Downton Abbey, Catherine, a beautiful and spirited American woman who married Lady Almina's son, the man who would become the 6th Earl of Carnarvon, presides over the grand estate during a tumultuous time for the British aristocracy. Following the First World War, many of the great houses of England faded as their owners fortunes declined in the new political and social world of the 1920s and 1930s. As war loomed, Highclere's survival as the family home of the Carnarvons was again in the balance--as was peace between the nations of Europe.
    Using copious materials--including diaries and scrapbooks--from the castle's archives, the current Countess of Carnarvon brings alive a very modern story in a beautiful and fabled setting, paying particular attention to the staff who provide Highclere Castle with continuity between generations.

"Jane Austen at Home offers a fascinating look at Jane Austen's world through the lens of the homes in which she lived and worked throughout her life. The result is a refreshingly unique perspective on Austen and her work and a beautifully nuanced exploration of gender, creativity, and domesticity."--Amanda Foreman, bestselling author of Georgianna, Duchess of Devonshire

Take a trip back to Jane Austen's world and the many places she lived as historian Lucy Worsley visits Austen's childhood home, her schools, her holiday accommodations, the houses--both grand and small--of the relations upon whom she was dependent, and the home she shared with her mother and sister towards the end of her life. In places like Steventon Parsonage, Godmersham Park, Chawton House and a small rented house in Winchester, Worsley discovers a Jane Austen very different from the one who famously lived a 'life without incident'.

Worsley examines the rooms, spaces and possessions which mattered to her, and the varying ways in which homes are used in her novels as both places of pleasure and as prisons. She shows readers a passionate Jane Austen who fought for her freedom, a woman who had at least five marriage prospects, but--in the end--a woman who refused to settle for anything less than Mr. Darcy.

Illustrated with two sections of color plates, Lucy Worsley's Jane Austen at Home is a richly entertaining and illuminating new book about one of the world’s favorite novelists and one of the subjects she returned to over and over in her unforgettable novels: home.

"Suppose that everything we think we know about the Victorians is wrong." So begins Inventing the Victorians by Matthew Sweet, a compact and mind-bending whirlwind tour through the soul of the nineteenth century, and a round debunking of our assumptions about it. The Victorians have been victims of the "the enormous condescension of posterity," in the historian E. P. Thompson's phrase. Locked in the drawing room, theirs was an age when, supposedly, existence was stultifying, dank, and over-furnished, and when behavior conformed so rigorously to proprieties that the repressed results put Freud into business. We think we have the Victorians pegged-as self-righteous, imperialist, racist, materialist, hypocritical and, worst of all, earnest.

Oh how wrong we are, argues Matthew Sweet in this highly entertaining, provocative, and illuminating look at our great, and great-great, grandparents. In this, the year of the centenary of Queen Victoria's death, Sweet forces us to think again about her century, entombed in our minds by Dickens, the Elephant Man, Sweeney Todd, and by images of unfettered capitalism and grinding poverty.

Sweet believes not only that we're wrong about the Victorians but profoundly indebted to them. In ways we have been slow to acknowledge, their age and our own remain closely intertwined. The Victorians invented the theme part, the shopping mall, the movies, the penny arcade, the roller coaster, the crime novel, and the sensational newspaper story. Sweet also argues that our twenty-first century smugness about how far we have evolved is misplaced. The Victorians were less racist than we are, less religious, less violent, and less intolerant. Far from being an outcaste, Oscar Wilde was a fairly typical Victorian man; the love that dared not speak its name was declared itself fairly openly. In 1868 the first international cricket match was played between an English team and an Australian team composed entirely of aborigines. The Victorians loved sensation, novelty, scandal, weekend getaways, and the latest conveniences (by 1869, there were image-capable telegraphs; in 1873 a store had a machine that dispensed milk to after-hours' shoppers). Does all this sound familiar?

As Sweet proves in this fascinating, eye-opening book, the reflection we find in the mirror of the nineteenth century is our own. We inhabit buildings built by the Victorians; some of us use their sewer system and ride on the railways they built. We dismiss them because they are the age against whom we have defined our own. In brilliant style, Inventing the Victorians shows how much we have been missing.

The Victorian age is much closer to us in time than we might believe. Yet at that time, in the most technologically advanced nation in the world, people buried meat in fresh earth to prevent mold forming and wrung sheets out in boiling water with their bare hands. Such household drudgery was routinely performed by the grandparents of people still living, but the knowledge of it has passed as if it had never been.

Judith Flanders's book is laid out like a Victorian house, taking you through the story of daily life from room to room. In each space she depicts the home's furnishings and decoration: from childbirth in the master bedroom, through the scullery and kitchen, the separate male and female domains of the drawing room and the parlor, and ending in the sickroom. A rich selection from diaries, letters, advice books, magazines, and paintings fills the rooms with the people and personalities of the age. 100 illustrations, 3 8-page color inserts.